Press
“La Future Diva..” An enchanting recital with soprano Venicia Rasmussen. She was absolutely perfect in the title role of Tosca and her extremely expressive voice was wonderful in Puccini’s most famous opera excerpts. The Italian repertoire with Rossini and Puccini is handwritten for Venicia. “
(La Nef, Dernières Novelles D`Alsace magazine, concert in Wissembourg Relais Culturel, 2019).
“Through her enthusiasm, her virtuosity, her credibility and her artistry, the soprano managed to sweep the audience off their feet. The enthusiastic audience thanked the soprano with long standing applause. ” (La Nef, Dernières Novelles D`Alsace magazine, concert in Wissembourg Relais Culturel, 2019).
“With her powerful and multifaceted voice, she opened this song evening with an excerpt from Carmen, which she interpreted with great skill and great dedication. “
(La Nef, Dernières Novelles D`Alsace magazine, concert in Wissembourg Relais Culturel, 2019).
“She thrilled the audience with her empathy as well as her suppleness with her songs by Brahms.” (La Nef, Dernières Novelles D`Alsace magazine, concert in Wissembourg Relais Culturel, 2019).
“When she interpreted “Les Ariettes oubliées” (Claude Debussy), the audience was transported to another atmosphere, with her glorious quality of singing.”
(La Nef, Dernières Novelles D`Alsace magazine, concert in Wissembourg Relais Culturel, 2019) .
“A talent like Ms. Rasmussen can indeed be described as absolutely exceptional, unusual and rare. Vocally absolutely outstanding, stylistically astonishingly versatile, intuitive musicality and linguistic talent. In addition, essential for the stage, there is an innate theatrical, acting talent, enormous joy in playing, and, the rare gift that cannot be taught, a distinct and unmistakable personality, both artistic and human. For a very young singer, Ms. Rasmussen has unusual maturity, be it in terms of musical performance or in terms of her attitude towards her job, art and life.”
“What gives working with her a special dimension is her inquisitive, constantly searching and researching nature, her interest in all forms of art, and a spiritual attitude to life and art. And tireless hard work!” (2017 Harald Braun: conductor and accompanist (performance of the Stabat Mater, Pergolesi in Karlsruhe)
“Venicia Sandria radiates, she is charged with positive energy. A power woman..” (Claudia Wößner, Wormser Zeitung, Nibelungen Festival in Worms August 2017)
“Venicia Sandria Rasmussen sang Pamina’s aria “Ach ich fühl´s” with lovely sounding emphasis and bright colors in the warm middle range. Her natural soprano filled the sunlit state park.” (Thomas Tritsch, Bergsträsser Anzeiger, Opern Air concert in Bensheim, June 26, 2017)
“Venicia performed the aria of Violetta from La Traviata with a confident and dramatically colored soprano that remained in a pleasant timbre right up to the top. The piece was pure emotion”…. (Thomas Tritsch, Bergsträsser Anzeiger, Opern Air concert in Bensheim, June 26, 2017)
“Venicia Sandria Rasmussen performed Violetta’s aria from “La Traviata” with a confident and dramatically colored soprano, which remained in a pleasant timbre right up to the highs. The piece was pure emotion”… (Thomas Tritsch, Bergsträsser Anzeiger , Opern Air concert in Bensheim, June 26, 2017)
“Every type of movement shone with vocal accents in the sopranos lighted ethereal voice …” Christmas Oratorio, St. Martin in Sinzheim (December 18, 2016)
“For example, there is Venicia Rasmussen as the ambitious Poppea: her soprano is pure temptation, her lustful sighs are wonderful, and she underlines the entire artificiality of the character with appropriate gestures that are closely aligned with the music. “ 08.12.15 Christine Gehringer PAMINA Klassik online in the southwest (vocal work of art: Claudio Monteverdi’s “L’ incoronazione di Poppea” in a production by the Karlsruhe University of Music)
“Venicia did it with excellence until the final note held in the firmament, triggering an ovation from the audience. The soprano who speaks at the beginning describes all the torn passion of the Queen of the Night. Finally, the third facet of love.” Wissembourg Cultural Relais
“Ms. Rasmussen impresses with her outstanding voice, with which she can master even the highest tones with clarity and without effort. She is certainly one of the best in her field.” December 18, 2016 Harmut Mende: Conductor (performance of the Oratorio de Noel , Camille Saint-Saens – Sinzheim)
“It was a very nice and atmospheric concert, and I liked the little blonde soprano the best. The concert was impressive.” (12/18/2016 Dr. Ernst H. Kohlhage: Founder of the Festspielhaus Baden-Baden)
“The soprano voice sings as an angel from the gallery and so the sound carries through the entire nave. A beautiful effect.” December 20, 2016 Beatrix Ottmüller (Report from the Badische Neuste Nahrichten: Camille Saint-Saens Christmas Oratorio)